Plot Summary:The young son of a wealthy industrialist eschews the material pleasures of life and decides to enter the priesthood. His father wishes his son to follow in his footsteps and recruits his young girlfriend to help change his mind. The girl seduces the inexperienced lad, and he quickly falls prey to the material and sexual pleasures of the flesh.
I can only relate to Adrianna a bit, I can’t see through the eyes of any of the protagonist, I lost too much but the father makes me hard to breath, his too real as the symbol of power and suppression for me, when ever I see him it makes me quiver and wanting to tear I still can’t get over it, I shouldn’t have seen this movie
Giovanni Fusco写的爵士实在太迷人了
很强的批判性。宗教、资本统治的世界，年轻人想重新塑造它
I can only relate to Adrianna a bit, I can’t see through the eyes of any of the protagonist, I lost too much but the father makes me hard to breath, his too real as the symbol of power and suppression for me, when ever I see him it makes me quiver and wanting to tear I still can’t get over it, I shouldn’t have seen this movie
刚毕业就想出家，人们都觉得他没想好，老爸动用女色诱惑亲情呼唤家庭责任猛烈挽回，但面对当今世界假如他的想法如此偏激容不得妥协，那么哪怕算逃避，修道院大概真是最好的归宿。世界发展至此而和尚尼姑永不断档，本片以简洁而直接的方式予以思考，60年代前期高雅而到处是象征的黑白摄影（父子回家时反复开关的灯、男女爱抚戏全拍镜像乃至黑衣白衣的穿着等）、稀少但得到全力关注的角色，小格局佳作。雅克贝汉这里的表演我觉得比拿奖的半个男人更好更用足他本人的气质，为着自己和这个世界默默流泪的模样，着实不适合俗世啊。
父母的结合类于Stefano被Adriana吸引。摇摆是很可怕的，或许堕入深渊，或许同质腐坏，而不摇摆又太难(且面临被消灭)。(另年轻时的雅克贝汉。
在勾心斗角争夺遗产之外，继承在某种程度上也是一种宿命，与父辈抗衡的憔悴，对自我意志的绝望。
简介很狗血，剧情很写实 理想与现实，纯洁与欲望的斗争，以及父权主义的压迫和享乐主义的诱惑吧。