Plot Summary:Who was Moliere? He is known everywhere as one of the world's greatest playwrights. But who was he? Born Jean-Baptiste Poquelin in 1622, the son of a prosperous tapestry maker. His mother died when he was a boy. Growing up in the teeming streets of 17th century Paris, Jean Baptiste received a good Jesuit education and was fascinated by the street fairs and traveling carnivals that flourished in spite of the religious repression and hypocrisy of those cruel times. As a young man he joined the theatrical Bejart family to establish the Illustre-Theatre, which soon went bankrupt. The troupe reformed, found patronage, and went on the road for thirteen years, performing all over France. Poquelin developed his stagecraft adapting Commedia dell Arte plots to please brutalized peasants and cynical townspeople. He also married Madeline Bejart, the widowed daughter of the troupe's founder. Later he entered into a love affair with Mme Bejart's daughter, to the dismay of all. The troupe eventually returned to Paris and, on October 24, 1658, greatly impressed the 20-year old King Louis XIV, later to be called the Sun King. Moliere's life became bound up with the magnificent court at Versailles, and with its intrigues. He wrote, staged and acted in the plays now famous all over the world. He fought with his enemies and his friends, enjoyed success followed by failure, organized court festivities and defended himself against increasingly fanatic religious authorities. Above all, his theater was taken from life as his life was theatrical.
传统美学 构图 打光 摄影
这个长度的电影挑战我的尾骨。服化道以及演员的台词功底是细腻的。国王是François Cluzet演的吗？好像啊。电影除了长，没别的缺点。
四小时十七世纪法国深度游，MD屁股要坐碎了😰，殷切期待以后能躺着游…导演估计是把想拍的镜头通通拍完美了，长的要死。第一部分，虽有贵族和平民阶层之间的矛盾，路有冻死骨饥民把马烤了吃，但完全可以自high沉浸在戏剧的快乐中。狂风把舞台吹到山崖边缘，演员在舞台上互相大喊，我太喜欢这一段了。莫里哀的家庭也很温馨：温柔但很早离开的妈妈，总替莫里哀说出心里话的弟弟，无能狂怒但还是给莫里哀掏钱的爸爸，哪怕变成了墙上挂的画目光里也满是支持的爷爷，观众面对家庭情节笑得出来诶。下半部分，笑不出来了。精致奢华的服装，大场面所谓国王的节日，经过雪山来自威尼斯的金船，浮华的背后又是什么呢？莫里哀的创作表演，最终燃尽了他的生命。和几个女人间的情感纠葛有点没看懂…必须以后安排个法国宫廷洛可可式造型，就爱这口浮夸～
法国文化中心4月展映《莫里哀》，用四个多小时的篇幅讲述了欧洲古典戏剧大师莫里哀的一生，梦幻、油画般的史诗电影。第一次见到这么多法国人，座位没有固定的随便坐，虽然我下班赶过来已经演了一半、我左边的法国小伙一直乱动还把脚放在了前边的椅子上、我右边的法国女生不停的吃着黄瓜，我还是感受到了莫里哀对戏剧赤诚的热爱😂，或许正是他的狂热才成就了他，尽管身边有许多嘲笑和诋毁，但是他的作品永远永远永远留了下去，并且影响着无数人，哪个成功的人又不是如此呢？
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梦境般的电影，史诗风格，镜头推出推进配合戏剧台词，摄影棚里的演员如同在剧场里一样被摆来摆去，或停滞或无端走动，或转场推进剧情。用莫里哀的手法来重现莫里哀的人生，重塑戏剧场景，多重la mise en abyme。偶尔cadre结合光，变成舞台转台功能用来区分场景。这种排场和疯狂今天难复制了，lelouch制作的片，在他最风光的日子的后半截。第一次看片段的时候是在某堂课上，重看之后，梦幻感依然在，只是看到了更多的问题。没有莫里哀和法国文化背景，此片无法顺利理解。雪山上拉贡多拉搭配了lully的te deum的手法每次看都会被感动到。演员的眉毛和胡子被化得多糟糕，都没关系了。
油画感很强的史诗性教科书电影，距离感又有点新浪潮味道。可是真你妹地太长了啊啊啊，导演真是个慢性子，看得让我比莫里哀的老子还为他捉急 @arte