Plot Summary:A police inspector Dusan investigates an unusual case, the death of Marjan Ozim. The inspector develops an obsession with the case, especially when he realizes it was suicide. He starts to live in the deceased's apartment, digging through his life, getting involved with people Marjan Ozim knew, gradually taking over his identity. As the story progress, the reasons for the inspector's obsession are revealed step by step. One of them is death of his daughter Eva, who died in a car accident, when Dusan was driving the car. His ex-wife blames him for theirs daughter's death in the accident, which took place on the very same bridge where Marjan Ozim committed suicide. From time to time, Dusan returns to the bridge, the location of both accidents, where he looks down into the abyss below, perhaps considering taking his own life. Dusan develops an unusual relationship with Marjan's former secret lover Milena. He finds out that she blames herself for Marjan's death, because she left him to return to her family. Eventually she discovers that Marjan had other lovers while he was seeing her. This beautiful, somewhat mysterious woman enraptures Dusan as well. The dividing line between inspector Dusan's and the Marjan Ozim's life is slowly disappearing. Once, in a surge of passion, Dusan and Milena make love in the Marjan's apartment, with Dusan »in the role« of Marjan. As the moment of passion fades, this brief relationship also turns out to be just another blind alley for Dusan. By the end of the film, it becomes uncertain whether Dusan is even investigating the suicide of Marjan Ozim, or actually his own. A film that starts as a police thriller and then continues as an intimate thriller. Film where death is waiting to happen.
有一天要去这个斯洛文尼亚看一看
每个灵魂都在寻求庇护
文艺明显不是我的菜
同样对白不多，比起十几年前拍《跟着火车去旅行》现在的伊戈尔·斯特克更多了一些冷峻，音乐用的比以前少了，每次音乐响起来的时候正好是在你心里的那个点上，他的电影还是一如既往的美！
。。。
硬着头皮看完了竟然，沉重，抑郁。氛围迷人。
扯JB毛的片，虽说是欧洲片，但是缺乏以往的欧洲文艺片气息，拖拖拉拉，一点意思都没有。
文艺片，非惊悚片。
本片编剧除导演伊戈尔·斯特克之外还有罗马尼亚导演辛尼萨·德拉金。其实也就是摄影还不错，主角要找死谁也没有办法，当然可以看做是他的“赎罪”过程，他责备自己在车祸中生还。但影片仍然表现出了迷人的阴郁和神秘气质。感谢欢乐分裂的字幕。
某些方面来说，镜头语言很充足。至于故事嘛……现在谁还谈故事？
开头两个场景的跳接完成了整个影片
这戏拍了就是为了拿奖，可惜我已经没办法沉下心去看了
慢节奏的抑郁
通过一个案子渐渐展现警察的生活，贝多芬的奏名曲伴着淡淡的忧伤…
东欧电影就是有一种淡淡的忧郁气质
很不错，联想到了安东尼的过客
无意义的电影……
我喜欢有钢琴的电影···
每一个孤苦无依的灵魂该如何安息
可惜法国只在欧洲电影节放了唯一的一场 很希望被大家所看到这部电影